It's also commendable how Rogue One touches upon questions of what actions are morally acceptable in a rebellion like the one depicted here. The film is intense, exciting and emotional, with its last act building to a crescendo and offering one memorable moment after another.
Still, Rogue One’s strengths far outweigh any trouble spots. Some big comic relief is provided by this character, while Tudyk’s performance also gives him a sympathetic “soul” (if such a word is appropriate for a droid) as well. Like Threepio, he has a knack for giving troubling statistics, but instead of speaking with a worried attitude, K-2SO – who’s an Imperial Droid who’s been reprogrammed by the Rebels - has more of a resigned and often amusingly cruel and blunt approach. This droid is sort of C-3PO’s dark, amped up counterpoint. While the entire cast are strong, it’s Tudyk’s K-2SO who’s often the standout. As Cassian, Luna projects innate charisma mixed with ongoing unease, as we see the Rebel Captain participate in actions he’s not always proud of in service of the greater good.
Jones effortlessly holds the screen as Jyn, who’s put up a brash, stern wall to protect herself, thanks to a traumatic childhood. Rogue One’s strengths also include introducing a likable core group of characters that are easy to invest in – a key component given we meet so many new faces so quickly. These small yet distinct differences help the first Star Wars Story stand apart from what has come before, even as the story is still so rooted to A New Hope. There is no opening crawl, while the film includes elements like a time jump, flashbacks and onscreen text identifying different locations that the “Episode” movies have never used. That new vibe extends to how it breaks from many of the cinematic rules of Star Wars. The visual language (not to mention specific props and sets) of Star Wars has been lovingly recreated, yet Rogue One still is able to have its own vibe. There is a powerful “in the trenches” feel to much of the film, as we watch the core characters and their Rebel allies battle in the streets, in the forest and, memorably, in the tropical environment of Scarif.
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With that mostly discarded here - none of these characters are Jedi or potential Jedi, though Chirrut is a true believer in the Force - Rogue One brings much more of a true war movie vibe to Star Wars. “Wars” may be part of the title of this franchise, but the inclusion of elements like the Force and lightsabers always add a huge fantasy element to Star Wars as well. There were plenty of stories reported about extensive reshoots, but the final product feels cohesive and focused and there are no onscreen signs of any issues. Given all that, the filmmakers (including director Gareth Edwards and screenwriters Chris Weitz and Tony Gilroy, working from a story by John Knoll and Gary Whitta) are to be applauded for so deftly tying it all together, as Rogue One works amazingly well.
It’s a tricky gambit, as this approach gives Star Wars fans plenty of familiar connective tissue from the start, yet also means Rogue One is treading on sacred ground and could easily feel like a hollow attempt to tie itself to a beloved classic.
A contradictory element of Rogue One is that while it’s the first standalone movie, it isn’t truly standalone at all, functioning as such a direct prequel to A New Hope, and weaving into that film’s plotline in many ways. The mission also leads Jyn to cross paths with a couple of formidable fighters who weren’t part of the plan, when she and Cassian encounter Chirrut Îmwe (Donnie Yen) and Baze Malbus (Wen Jiang). Teamed with valued Rebel operative Cassian Andor (Diego Luna) and his droid, K-2SO (Alan Tudyk), Jyn’s mission will bring her into contact with other key figures like ex-Imperial pilot Bodhi Rook (Riz Ahmed) and the extremist anti-Empire warrior, Saw Gerrara (Forest Whitaker). Jyn Erso (Felicity Jones) is not a member of the Alliance when the film begins, but a criminal – recruited by Rebel leader Mon Mothma (Genevieve O'Reilly, finally getting lines after the vast majority of her Revenge of the Sith footage was cut) to help find her father, Galen Erso (Mads Mikkelsen), a brilliant scientist who has been coerced into working on the Death Star project in a crucial role.
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